Proofreading checklist: How to check page proofs like a professional

4/9/2017

If you're proofreading final designed page proofs, there's more to look out for than the odd typo or double space. Professional proofreaders identify and find solutions to a range of layout problems too.

This post featured in Joel Friedlander's Carnival of the Indies #84

Who's this checklist for?
This is for anyone checking final designed page proofs, For example:

Self-publishing authors preparing for print-on-demand. Use this when working through the PDF generated by the likes of CreateSpace or Bookbaby
Business owners producing PDF or printed reports, booklets, manuals or ebooks. Use this to check your file before it's distributed to your clients or uploaded to your website
Professional proofreaders. Use this to check page proofs for your publisher clients and independent authors.

I've proofread over 500 books for the mainstream publishing industry. The checklist below is based on the house guidelines provided by the publishers I've worked for.

The titles I've proofread include social science textbooks, handbooks and monographs, and works of fiction and narrative non-fiction. And while the subject matter has varied, the requirements for checking final page proofs hasn't.

Note my use of the term 'final designed page proofs'. This checklist is not for those doing a final quality-control check in a Word document. Rather, we're dealing with a typeset PDF or hardcopy of the book as it will appear when printed or published online.

For that reason, the proofreader is tasked with ensuring that the appearance of the book is consistent and correct according to client preference. This PDF provides a summary of the required checks. Click on the image to download your free copy.

Louise Harnby is a fiction copyeditor and proofreader. She curates The Proofreader's Parlour and is the author of several books on business planning and marketing for editors and proofreaders.

Visit her business website at Louise Harnby | Proofreader & Copyeditor, say hello on Twitter at @LouiseHarnby, or connect via Facebook and LinkedIn.

If you're an author, you might like to visit Louise’s Writing Library to access my latest self-publishing resources, all of which are free and available instantly.

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12 Comments

Susan M Sparks link

5/9/2017 10:44:24 pm

Thank you for this checklist! Very generous of you.

Louise Harnby

28/10/2017 05:28:24 pm

You are so welcome, Susan! Hope you find it useful!

Sarah Mallon

19/9/2018 10:36:01 am

Thank you so much for this. I found it very helpful and informative.

20/9/2018 05:43:59 pm

Thanks, Sarah! That's great to hear.

Mia

28/11/2018 08:59:26 am

Thanks for sharing this really useful resource!

Merridy link

26/2/2019 03:52:31 am

Thanks, Louise. Your checklist gives my author an understanding of the task (and what could go wrong if she skips this step).

26/3/2020 12:01:48 am

Glad it helped, Merridy!

Luke Kendall link

10/4/2019 06:47:31 am

I'm glad to say I do all those things, bar one, as well as:
- check that all 'internal title pages', like "Book 1" or "Part 1" type things, occur on odd pages and are followed by a blank page (for the print edition only)
- check that justification (typically flush) is consistent throughout
- try to avoid pages with a single line of text at the top.
- use of open-apostrophe instead of close-apostrophe when indicating a contraction at the start of words (when reproducing speech pattern, as in: 'ow you doin', mate?)
- italicisation spread past the intended italic text
- correctness of any URLs provided

The one thing I do the opposite of, is to ensure all sentences end with two spaces. No, the argument that it crept in due to typewriters is a myth. Single spaces crept in because of a bug in early linotype machines.

Also, errors can creep in even when you think you've checked and re-checked. E.g. I suspect the repetition of the "Page depth" and "Page margins" checklist in your own checklist is a tiny error.

26/3/2020 12:01:05 am

Hi, Luke.

I do makes mistakes in my writing but the page depth/margin thing is deliberate! Margins refers to the space on to each side, while depth refers to the text depth at the bottom of the page. And both things are repeated because the checklist is divided into front, main and end matter, and those things need checking in all cases.

As for the double spaces, I remove them because I've never worked for a publisher who wanted me to retain them. Contemporary fonts are designed such that two aren't necessary and often introduce a gappiness that none of my clients will tolerate. Still, it's every author's choice whether to include them. But when I'm working for publishers, it's their brief that leads, not an editor's preferences!

26/3/2020 05:13:11 am

Hi Louise. Hope you're handling the current crisis well.
I understand the difference between page depth and margins, I was just guessing that your repetition of the two checks (on p4 and then again on p6) was a small mistake.
I choose two spaces partly from resistance to the myth behind the rationale, but mainly because to me it adds a tiny improvement to readability independent of typeface design.
I imagine from the publishers' POV two spaces tends to lead to a small increase in total page length, causing a tiny increase in cost, but one they'd rather avoid. Ultimately I think it comes down to a personal preference.

Susan

25/3/2020 08:58:35 pm

For marking-up page proofs for professional publishing houses, are you using Adobe? And do you have guidance on specific tools within that program you use to mark-up pages, utilizing basic proofing marks, etc.?

Thank you.

25/3/2020 11:47:35 pm

Hi, Susan. Check out the Stamps and Proofreading Markup archives in the blog sidebar to the right. I use PDF-XChange. It's a lot cheaper but has Adobe's functionality. Just a personal preference.

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