Louise Harnby | Fiction Editor & Proofreader
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The Editing Blog: for Editors, Proofreaders and Writers

FOR EDITORS, PROOFREADERS AND WRITERS

Writing and editing for the web: The Editing Podcast

28/8/2019

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In this episode, Louise and Denise discuss writing and editing for the web with guest Erin Brenner
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​Click to listen to Season 2, Episode 9

Listen to find out more about:
  • Why working with web content is different from writing for the page
  • In which programs should we create content for the web?
  • Pre-upload checks on the writing
  • Pre-upload checks on metadata links, and alt-text
  • Quality control: self-editing versus third-party professional help
  • How many editing passes?
  • Fact-checking and authenticity
  • The order of play for editing web content
  • Style sheets and web content
  • Language choice and style for web content

Editing bites
  • Erin Brenner’s Web Style Checklist
  • They Ask, You Answer by Marcus Sheridan

Other resources
  • Erin Brenner, Right Touch Editing
  • ‘Customer service: A cautionary tale of red flags and safety nets’ by Vanessa Plaister on the CIEP blog
  • The AP Stylebook (Associated Press)

Music credit
‘‘Vivacity’ Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License.
Louise Harnby is a line editor, copyeditor and proofreader who specializes in working with crime, mystery, suspense and thriller writers.

She is an Advanced Professional Member of the Chartered Institute of Editing and Proofreading (CIEP), a member of ACES, a Partner Member of The Alliance of Independent Authors (ALLi), and co-hosts The Editing Podcast.

Visit her business website at Louise Harnby | Fiction Editor & Proofreader, say hello on Twitter at @LouiseHarnby, connect via Facebook and LinkedIn, and check out her books and courses.
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Editors on the Blog: April 2018

12/4/2018

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Editors on the Blog is a monthly column curating some of the posts from the editing community – articles written by editors and proofreaders for colleagues and clients alike.

There are some absolute corkers in this inaugural edition. Thank you so much for contributing!
Editors on the Blog
THE BUSINESS OF EDITING
  • ‘How do I get freelance copywriting work?’ by John Espirian, published on Espirian. John writes: ‘One of the commonest questions I’m asked is: How do I get copywriting work? I hope it helps a few of you newbie copywriters to get started.'
  • ‘How to get fiction editing and proofreading work’ by Louise Harnby, published on The Proofreader's Parlour. Louise writes: ‘This post looks at how specialization, training, directory advertising, content marketing, events and festivals, workshops and webinars, and reading fiction help to get us fiction editing work.'

​CLIENT FOCUS​
  • '6 ways to improve your big-picture revision skills' by Lisa Poisso, published on JamiGold.com. Lisa writes: ‘Building your story sensibilities will give you the confidence to begin your revisions where they count: at the story level.’
  • ‘Document content formats: pros and cons’ by John Espirian, published on Espirian. John writes: ‘My clients are often unsure about which document format they should use for their content. In this article, I look at the pros and cons of HTML, PDF, Word and PowerPoint.’
  • 'How to cope when your manuscript query is rejected' by Lisa Poisso, published on lisapoisso.com. Lisa writes: ‘Your soul is not being judged at the pearly gates. You’re pitching a book in an industry based on pitching books. Toughen up. Lean into the punches and push back.’
  • ‘How to start writing your novel’ by Cally Worden, published on The Enigma Blog. Cally writes: ‘If you perpetually avoid putting pen to paper (or fingers to keys) here are five possible reasons why, with some ideas to help you out of each particular novel-writing rut.’
  • 'Crime fiction subgenres: Where does your novel fit?' by Louise Harnby, published on The Proofreader’s Parlour. Louise writes: ‘Understanding your crime-fiction subgenre(s) helps you tell readers where to find you, agents where to place you, and publishers where to shelve you. This article covers some of the biggies.’

EDITING IN PRACTICE
  • ‘The art of being invisible’ by Brian Langan, published on Storyline Editing. Brian writes: ‘Book editors measure their success by their invisibility. Yet they share the emotional highs and lows of the authors, depending on the books’ critical reception.’
  • ‘Proofreading pitfalls: Nine tips to improve your proofreading strategy’ by Hazel Bird, published on The Wordstitch Blog. Hazel writes: ‘How methodical is your proofreading approach? My latest blog post has nine tips on proofreading strategy from my experience as a project manager and proofreader.’

FREELANCE LIFE
  • 'Business continuity planning for your proofreading service' by Pete Haigh, published on Kateproof. Pete writes: ‘My laptop broke. I thought it would be helpful to share my experience of what I did to get my editing and proofreading service back up and running and the lessons learnt (some the hard way!) from this process.’
  • ‘Getting better and getting organised’ by Sarah Dronfield, published on Sarah Dronfield Proofreader. Sarah writes: ‘I hope that sharing my experiences will help others recognise when they need a break and/or what they could do to be more productive.’
  • ​‘Introductory post to my series on being a nomadic editor and proofreader’ by Kate Haigh, published on Kateproof. Kate writes: ‘As the world’s workforce has the technology at hand to become less geographically fixed, I thought it might help other proofreaders and editors if I shared my experiences of being a nomadic editor and proofreader.’

LANGUAGE MATTERS
  • ‘Cambridge Analytica Debacle – The Definition of Breach’ by Laureen Hudson, published on AlienVault. Laureen writes: ‘It's incredibly important, when explaining technology to those who are not fluent in its nuance, to use your words precisely, in a consistent and clear way. And as much as little sideslips like “on premise” and “crypto” make us all twitch, the use of the term “breach” when no actual breach occurred not only misleads people, it blurs the line between those victimized by breaches, and those manipulated without their explicit consent.’
  • ‘Shakespeare’s Netymology’ by Laureen Hudson, published on AlienVault. Laureen writes: ‘Because technical editors and technical writers are also looking for ways to describe that thing that happens, we tend to be early adopters of protologisms, and move words along the spectrum to neologisms as fast as we upgrade the technology itself. As Shakespeare said in Henry V, “We, my dear, are the makers of fashion.”’
​To include your article in next month's edition of Editors on the Blog, click on the button below. The deadline is 15 May 2018.
​Submit a link to EOTB

Louise Harnby is a fiction copyeditor and proofreader who specializes in helping self-publishing writers prepare their novels for market.
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She is the author of several books on business planning and marketing for editors, and runs online courses from within the Craft Your Editorial Fingerprint series. She is also an Advanced Professional Member of the Society for Editors and Proofreaders. Louise loves books, coffee and craft gin, though not always in that order.

​Visit her business website at Louise Harnby | Proofreader & Copyeditor, say hello on Twitter at @LouiseHarnby, or connect via Facebook and LinkedIn.

If you're an author, take a look at Louise’s Writing Library and access her latest self-publishing resources, all of which are free and available instantly.
Sign up to Louise's blog

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Roundup: PDF Proofreading Stamps (quick-access links)

26/8/2012

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This roundup provides a quick-access route to all the PDF proofreading marks files posted on The Editing Blog.
PDF proofreading information
​I should have done this ages ago so apologies to anyone who's had to spend unnecessary time navigating their way around the Stamps archive to see what's available.

I'll keep this updated as new files are added so that there's always one central resource with all the necessary links.
  • IMPORTANT: For detailed installation instructions, see my article Installation Instructions for Proofreading Stamps. Please follow these instructions to the letter BEFORE contacting me for support. 
  • If you wish to create your own stamps, or you want to see samples of what a marked-up PDF looks like, see my article PDF Editing – Making the Most of the Stamps Tool. 
  • For a list of American proofreading stamps visit KOK Edit’s Copyeditors' Knowledge Base and scroll down to "PDF editing stamps".
  • For some great PDF mark-up tutorials and tips (using Acrobat), take a look the Acrobat PDF archive on the Right Angels and Polo Bears blog curated by Adrienne Montgomerie.
  • You can find more information about onscreen work in the archives here on The Editing Blog: Stamps archive and Onscreen Work archive.

  • Free Downloadable PDF Proofreading Stamps (full set of BSI 5261-2 (2005) proofreading marks)
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  • Music Notation Proofreading Stamps (via Tracker Software)
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Louise Harnby is a line editor, copyeditor and proofreader who specializes in working with crime, mystery, suspense and thriller writers.

She is an Advanced Professional Member of the Chartered Institute of Editing and Proofreading (CIEP), a member of ACES, a Partner Member of The Alliance of Independent Authors (ALLi), and co-hosts The Editing Podcast.

Visit her business website at Louise Harnby | Fiction Editor & Proofreader, say hello on Twitter at @LouiseHarnby, connect via Facebook and LinkedIn, and check out her books and courses.
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