Louise Harnby | Crime Fiction and Thriller Editor
  • Home
  • Resource library
  • Services
  • Courses
  • Books
  • Podcast
  • Blog
  • Training login
  • Contact
The Editing Blog: for Editors, Proofreaders and Writers

FOR EDITORS, PROOFREADERS AND WRITERS

How to use quote marks in fiction writing

4/11/2019

12 Comments

 
Here's how to use quote marks (or speech marks) according to publishing convention in your fiction writing. The guidance covers both US English and UK English conventions.
Picture

In this post ...

  • What quote marks are used for
  • Omitting a closing quote mark in dialogue
  • Whether to use single or double quote marks
  • Whether to use straight or curly quote marks
  • Where the closing quote mark goes in relation to other punctuation​
  • When not to use quote marks​

What quote marks are used for

Quote marks are used in 3 ways in fiction:

  • Character dialogue
  • To distance the narrator from what's being reported 
  • ​To denote song titles and other works

Character dialogue
Quote marks show that we’re reporting what someone else is saying or said. 

​Each new speaker's dialogue should appear on a new line and include opening and closing quote marks. Here's an example from The Word is Murder (p. 208) by Anthony Horowitz, ​Arrow 2018.
Picture
     That puzzled me. ‘What do they need them for?’ I asked Hawthorne.
     ‘Latent footprints,’ he replied. ‘They need to eliminate you from the enquiry.’
​To distance the narrator from what's being reported 
The tone of the distancing rendered by the quote marks will depend on narrative intent. Perhaps the voice is sarcastic. Or the author might want the reader to suspend belief by indicating that a character considers a word or phrase unreliable.

Imagine the character is saying so-called or supposed or allegedly before the word in quotes.
Picture
     'What about your friends? Didn't they help?' Molly said.
     Peter almost laughed. The last time his 'friends' had phoned or visited had been over six months ago. Two had wanted money, Another needed business advice. A fourth had spent the evening flirting with his now ex-wife.
A word of caution: Don't be tempted to differentiate distancing terms in the narrative from dialogue by using an alternate style. If there are double speech marks around the dialogue, there should be double marks around the distancing words.

NON-STANDARD (USING DOUBLES AS BASE STYLE):
Picture
     "What about your friends? Didn't they help?" Molly said.
     Peter almost laughed. The last time his 'friends' had phoned or visited had been over six months ago. Two had wanted money, Another needed business advice. A fourth had spent the evening flirting with his now ex-wife.

STANDARD (USING DOUBLES AS BASE STYLE):
Picture
     "What about your friends? Didn't they help?" Molly said.
     Peter almost laughed. The last time his "friends" had phoned or visited had been over six months ago. Two had wanted money, Another needed business advice. A fourth had spent the evening flirting with his now ex-wife.
​To denote song titles and other works
Quote marks are also used to identify certain published works such as song titles and book chapter titles.

So, for example, if a writer is referring to an album or book title, this is rendered in italic. However, when it comes to a song on an album, or a chapter in a book, it's conventional to use quote marks.
Picture
Jamie pulled the vinyl from its sleeve. The White Album. His favourite. Well, 'Back in the USSR' anyway. He'd never admit it but he didn't much care for the other songs.

Omitting a closing quote mark in dialogue

There's one occasion where it's acceptable to omit the closing speech mark in dialogue: same speaker, new paragraph.

So, if you want your dialogue to take a new paragraph while retaining the current speaker, use a quotation mark at start of the new line but omit the closing one at the end of the previous paragraph. Here's an example from The Bat (p. 251) by Jo Nesbo, Vintage, 2013.
Picture
     ‘[…] My father described the regular pom-pom-pom of the cannons and the increasingly high-pitched wails of the planes as they dived. He said he’d heard them every night since.
     ‘The last day of the battle he was standing on the bridge when they saw a plane emerging. […] Then he jumped overboard and was gone.’​

​Single versus double quote marks

There’s no rule, just convention.

There are lots of Englishes: US, UK, Canadian, Australian, New Zealand, South African, Indian, etc. Each has its own preferences and idiosyncrasies.

Focus on which English your audience will expect, and punctuate your writing accordingly. 
Whichever style you choose, the main thing is be consistent. 
​
  • In the UK, it’s more common to use single quote marks. And if there’s a quote within the quote, that’s a double. You might hear quotes within quotes called nested quotes.
  • In US English it’s conventional to use double quote marks with nested singles. 

The first example below is from Sleeping in the Ground (p. 261) byPeter Robinson, Hodder & Stoughton, 2017. The second is from The Fix (p. 428) by David Baldacci, Pan Books, 2017.
Picture
Ray studied his drink and narrowed his eyes. ‘You can be cruel sometimes, you know. I don’t know where you got it from. “How sharper than a serpent’s tooth …” Your mother didn’t have a cruel bone in her body.’

Picture
“I had no idea why he was bringing that up now. So when I asked him he said, ‘Remember when the going got tough, who was there for you. Remember your old man was right there holding your hand. Always think of me trying to do the right thing, honey. Always. No matter what.’”
If you choose double quote marks, use the correct symbol, not two singles.

Straight versus curly quote marks

Curly quote marks are more conventionally known as smart quotes.

​It’s conventional in mainstream publishing to use smart or curly quotation marks, not unidirectional ones.
Picture
Changing straight quotes to smart quotes is one of the initial clean-up jobs an editor will carry out when they start work on a file. To prevent the problem occurring from the minute you begin typing:
 
  • Go to FILE and select OPTIONS
  • Select PROOFING, then click on the AUTOCORRECT OPTIONS button
  • Choose the AUTOFORMAT AS YOU TYPE tab
  • Make sure there’s a tick in the "STRAIGHT QUOTES" WITH “SMART QUOTES” box
  • Click on OK
 
If you’ve pasted material into your book from elsewhere, or you didn’t check autocorrect options before you began typing, there might be some rogue unidirectional marks in your file. To change them quickly, do a global find/replace:
 
  • Select CTRL+H on your keyboard to open FIND AND REPLACE
  • Type a quotation mark into the FIND WHAT box
  • Type the same quotation mark into the REPLACE WITH box
  • Click on the REPLACE ALL button

The closing quote mark in relation to other punctuation​

In fiction, punctuation related to dialogue is placed similarly whether you're writing in US or UK style: within the quote marks.

Here are some examples:
  • "Don't move a muscle," Stephen said.
  • "My God! Is that Jonathan? He looks fabulous."
  • “Maybe you don't think we've met but I can assure—”
  • Dave glanced at the signature tattoo on the Matt’s hand. ‘That looks familiar. Who inked you?’
  • ‘Never.’ I sized up the door and the window. ‘I love you ...'
​However, there's a difference when it comes to distancing or cited works. Note the different placement of the commas and full stops in the US and UK examples. In US English, the commas come before the closing quotation marks; in UK English, they come after.
  • US English convention: Peter's "friends," the ones who hadn't bothered to find out if he was okay after his wife ditched him, seemed oddly keen to get in touch now that he'd won the lottery.
  • UK English convention: Peter's 'friends', the ones who hadn't bothered to find out if he was okay after his wife ditched him, seemed oddly keen to get in touch now that he'd won the lottery.

  • US English convention: "Favourite Jimi Hendrix songs? 'Foxy Lady,' 'Hey Joe,' and 'Purple Haze.'"
  • UK English convention: 'Favourite Jimi Hendrix songs? "Foxy Lady", "Hey Joe", and 'Purple Haze".'

When not to use quote marks

There are 2 issues to consider here:
  • Thoughts 
  • Emphasis

Thoughts
CMOS at section 13.43 says you can use quote marks to indicate thought, imagined dialogue and other internal discourse if you want to. However, I recommend you don't. For one thing, I can’t remember the last time I saw this approach used in commercial fiction coming out of a mainstream publisher’s stable.

But the best reason for not putting thoughts in quote marks is because it might confuse your reader. The beauty of quote marks – or speech marks – is that they indicate speech. Let them do their job!

Emphasis 
It can be tempting to use quote marks in your writing to draw attention to a word or phrase, but it’s rarely necessary and could even have the opposite effect to what you intended. It works instead as a distancing tool, as discussed above.

If you’re tempted to use quote marks for emphasis, imagine saying the sentence out loud, and making air quotes with your fingers as you speak. Would your character/narrator say it like that? If the answer's no, leave out the quote marks. Italic will work better. Or recast your dialogue so that the reader can work out where to place the stress themselves.

Summing up

If in doubt about how to use quote marks for your book, consult a style manual. I recommend the Chicago Manual of Style, the Penguin Guide to Punctuation and New Hart’s Rules, all of which offer industry-standard guidance.

Fancy listening instead?

If you'd prefer to listen to the advice offered here, Denise Cowle (a non-fiction editor) and I chat about how to use quote marks in all types of writing on The Editing Podcast. You can listen right here or via Apple Podcasts, Spotify or your favourite podcast platform

About Louise Harnby

Louise Harnby is a line editor, copyeditor and proofreader who specializes in working with crime, mystery, suspense and thriller writers.

She is an Advanced Professional Member of the Chartered Institute of Editing and Proofreading (CIEP) and co-hosts The Editing Podcast.

  • Get in touch: Louise Harnby | Crime Fiction & Thriller Editor
  • Connect: X @LouiseHarnby, Facebook and LinkedIn
  • Learn: Books and courses
  • Discover: Resources for authors and editors

12 Comments
    BLOG ALERTS
    Sign up for blog alerts!
    ALERT ME!

    NEWSLETTER
    Sign up for The Editorial Letter.
    SIGN ME UP

    AUTHOR RESOURCES
    Proofreading stamps

    EDITOR RESOURCES
    Proofreading stamps

    BOOKS FOR EDITORS AND WRITERS
    Picture
    Picture
    Picture
    Picture
    MORE BOOKS

    TRAINING COURSES FOR EDITORS
    Picture
    Picture
    Picture
    Blogging for Business Growth course
    MORE COURSES

    TESTIMONIALS
    'I love the clean impact you've brought to my writing'
    Thomas R Weaver

    'The voyage through your edits is an intellectual and craft adventure'
    Dan Flanigan

    'I'm a better writer because you edited my book'
    Rich Leder

    'You are by far the best literary editor I've had'
    ​Nina Fitzpatrick

    'I wholeheartedly recommend her services ... Just don’t hire her when I need her'
    Jeff Carson

    'Sincere thanks for a beautiful and elegant piece of work. First class'
    ​JB Turner
    TESTIMONIALS

    CATEGORIES

    All
    AI
    Audio
    Author Interviews
    Blogging
    Branding
    Business Tips
    Choosing An Editor
    Conscious Language
    Core Editorial Skills
    Crime Writing
    Design And Layout
    Dialogue
    Editorial Tools
    Erotica
    Fiction Editing
    Getting Work
    Grammar Links
    Lean Writing
    Line Craft
    Macros & Word Add Ins
    Managing Emotions
    Managing Emotions Podcast
    Marketing Tips
    Money Talk
    Mood And Rhythm
    Networking
    Online Courses
    PDF Markup
    POV
    Proofreading Marks
    Punctuation
    Q&A With Louise
    Sentence Editing
    Showing And Telling
    Software
    Stamps
    Starting Out
    Story Craft
    Training
    Types Of Editing
    Using Word
    Website Tips
    Work Choices
    Working Onscreen
    Writing Tools


    ARCHIVES

    June 2026
    May 2026
    April 2026
    March 2026
    February 2026
    November 2025
    August 2025
    July 2025
    June 2025
    September 2024
    August 2024
    August 2023
    June 2023
    May 2023
    April 2023
    November 2022
    October 2022
    September 2022
    August 2022
    June 2022
    May 2022
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    April 2020
    March 2020
    February 2020
    January 2020
    November 2019
    October 2019
    September 2019
    August 2019
    June 2019
    May 2019
    April 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    June 2015
    March 2015
    January 2015
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    March 2014
    January 2014
    October 2013
    September 2013
    June 2013
    February 2013
    January 2013
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    April 2012
    March 2012
    February 2012
    January 2012
    December 2011

    RSS Feed

Alliance of Independent Authors
Picture
Picture
CIEP Advanced Professional Member
The Publishing Training Centre

INFO ABOUT ME
About Louise
Bio page and business profile
Contact form
Louise's fiction
​Portfolio 
Privacy policy
Professional Practice Code
Qualifications
Terms and conditions
INFO FOR INDIE AUTHORS
​Why choose Louise?
Editorial services
Books and guides
Contact form
​Free resources
​Order form for books
Self-editing book
Testimonials
Transform Your Fiction series
INFO FOR EDITORS
​1:1 business consultations
Books and guides
​​Business Skills for Editors series
Free resources
Order books and courses
​The Editing Podcast
​The Editing Blog

Training courses
Transform Your Fiction series

Want to sign up to my monthly newsletter, The Editorial Letter? 
Picture
© 2011–2026 Louise Harnby
  • Home
  • Resource library
  • Services
  • Courses
  • Books
  • Podcast
  • Blog
  • Training login
  • Contact