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The Editing Blog: for Editors, Proofreaders and Writers

FOR EDITORS, PROOFREADERS AND WRITERS

Editors and proofreaders: Forget the ‘race to the bottom’. Just be compelling

1/1/2018

6 Comments

 
The topic of editing and proofreading rates is always hot in our community. And the 'race to the bottom' especially has been known to garner more attention than an Olympic 100-metre final. So what should we do about it?
Race to the bottom
Competing with cheap
Here in Norwich there’s a mall. In that mall is a discount store selling techie stuff ... phones, tablets and whatnot. You go into that shop expecting a deal.

It’s where people go when they’re price-shopping. Not because they’re terrible people who are always looking for cheap but because the coffers are low. Maybe the car failed its MOT and they had to find an extra seven hundred quid that month. Or they recently lost their job. Or something.

In that mall on the floor above is an Apple store selling shiny things for shiny people. You don’t go into that shop expecting a deal. You go in expecting to pay what you have to pay to get the shiny thing you want.
​
It’s where people go when they’re product- or service-shopping. The coffers are flush. The car passed its MOT and the job is secure. Or something.

All clients are not the same
All clients are not the same
Now, Apple could decide not to have a store in that mall. It could say, ‘This is ridiculous. No one’s going to buy our stuff when they can get similar products from the shop on the floor below for one fifth of the price. Being in that mall is a race to the bottom.’

But Apple doesn’t say that. Why? Because it knows that the customers who come into the mall aren’t all the same. Some won’t come near its store because the prices are too high. But others – those who are looking specifically for an Apple product, those who are Apple fans, those whose cars passed their MOTs – might pay Apple a visit.

If it doesn’t have a store in the mall, Apple knows it will lose the custom of all the people who’d like to buy there but can’t because it’s decided not to set up shop ... and all because it got the hump about the race-to-the-bottom store on the floor below.

In fact, Apple doesn’t focus on the store below. It doesn’t care what that store is charging. That store can service the price-shoppers – those customers whose budgets are limited – because those customers are NOT Apple’s customers.

Instead, Apple invests its energy in making the service-shoppers – its fans – have an amazing experience ... lots of knowledgeable, passionate staff on hand, a Genius Bar, technicians out back who’ll fix or replace a product in-store or replace it, and lots of lovely shiny stuff to play with while we wait.

Apple knows that there’s room in the mall for both types of store and both types of customer.
​
And it’s the same for editors and proofreaders.
Standing up for the market or hiding behind a curtain
Standing up for the market or hiding behind a curtain?
If you decide not to make yourself visible in particular directories or other online spaces because you know there are colleagues charging what you consider to be unacceptably low rates, and you think no one will hire you because you’re charging more, you’re assuming that all clients are the same. But they’re not.

Some clients will have low incomes or busted cars that need expensive repairs, and they will be attracted to the discount editors. Some will have more flexible budgets and will be focused on finding the right-fit editor first and foremost. Price will not be the clincher for the latter group.

However, clients can only commission services from an editor whom they know exists. If you have the hump about the race to the bottom and have decided not to join the party, you’re not standing up for the editorial market. All you’re doing is hiding behind the curtain, making yourself invisible to those clients who would have liked to work with you if they’d been able to find you.

And don’t forget that Google is the biggest directory of all. There’s no other online space with more editors in it. Some of them are cheap as chips. Has that stopped you having a website? No. The same logic should apply elsewhere.

How to be the Apple editor
Of course, we can’t have it both ways. If we don’t want to compete with discount editors then we need to get attention in a way that shifts the client’s focus away from price.

Expecting to benefit from the same footfall as the discount editor without offering a compelling alternative is just wanting to have our cake and eat it.

We need to stand out for some other reason. We need to make the client think: That editor looks perfect for me, seems to get me, is really generous and knowledgeable. I hope she’s available and that if I save up I can afford her.

Sure, the price-focused clients aren’t going to touch us with a barge pole. But that’s fine because we’re not targeting them; we’re targeting the service-focused clients.

​To be the Apple editor we need to present potential clients with an amazing experience – a story that says we have solutions, that we have their backs, that we can help them achieve their goals ... a story that persuades them we’re worth waiting for and worth paying for.

It’s about the words we use to convey our understanding of our clients’ problems.

It’s about the images we use to convey our professional values. Blurry headshots with our mates or kids in them won’t do.

It’s about how we instil trust. Telling them that we know our stuff – that we have the skills, the knowledge and the experience – is one thing. Showing them with free resources and a knowledge base that helps them more easily walk the publication path ... that’s quite another.
Time well spent on standing out
Time well spent on standing out
Every minute we spend worrying about what other editors are charging is a minute in which we could be building our own compelling brand identity and creating our own valuable resources, stuff that helps our potential clients feel we’re the right fit.

Every directory that we don’t advertise in because we think it’s a race to the bottom is another tick on our invisibility list.

If you’re invisible, it doesn’t matter how high your prices are. No one will hire you. Not because your prices are too high but because you can’t be seen. Being invisible is of no economic value to any editor or proofreader.

So charge what you want to charge. If you want to compete on price, go ahead. If you want to compete on compulsion, go ahead.

The compulsion route isn’t easy. It means investing time and effort in standing out – all that content marketing stuff I bang on about! It means thinking deeply about how every word of your directory entries and every page of your website helps a potential client and makes them feel that you’re just too wowser to ignore.

All that hard graft pays off though. You can sit beside the cheaper editors without fear. You can let them have the price-shoppers while you work with those who can afford you.

Just like Apple and the discount store, we’re dealing with two different markets.

​The idea that your business could be undermined by a colleague charging way lower than what you deem to be acceptable is, says Jake Poinier, ‘nonsense. Creative freelancing is a market, and only you can establish the value you bring to it. I don’t view the low end of the freelance rate scale as my competition’ (Stop worrying about freelancers who undercharge). I agree with Jake.

Honestly, there’s room for everyone. Don’t waste your valuable time on the issue. Instead, build your business, your brand identity, your visibility and your value. Therein lies success.

Want a reminder of this article? Download this free ebook to your preferred device. Head over to the Money Matters section of my Resource Library to get your copy.
Race to the Bottom ebook
Louise Harnby is a line editor, copyeditor and proofreader who specializes in working with crime, mystery, suspense and thriller writers.

She is an Advanced Professional Member of the Chartered Institute of Editing and Proofreading (CIEP), a member of ACES, a Partner Member of The Alliance of Independent Authors (ALLi), and co-hosts The Editing Podcast.

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6 Comments
Jake Poinier link
2/1/2018 01:39:13 pm

Yes yes yes a thousand times, Louise! (And I'm *not* just saying that because you agreed with me in the penultimate graf LOL.)

My favorite bit (among many) is this: "we need to present potential clients with an amazing experience – a story that says we have solutions, that we have their backs, that we can help them achieve their goals ... a story that persuades them we’re worth waiting for and worth paying for.." You don't have to be the world's best writer/editor/creative mind to provide an exceptional experience and develop rapport. But you absolutely have to do the latter to keep folks coming back and referring their colleagues.

Thank you for putting a great, positive concept out there to kick off the new year!

Reply
Louise Harnby
2/1/2018 06:35:08 pm

Delighted that you liked it, Jake! Your original post really hit the nail on the head for me and was the initial inspiration for my writing this article. So thank you for that. Here's to a great 2018!

Reply
Sara Litchfield link
3/1/2018 07:33:48 am

Ah fantastically put!! This is spot on.

There's another factor to consider as well if you're stressing out about where/how to price yourself and trying to compete at the bottom. At the beginning (when I priced myself disastrously low), I attracted bargain shoppers, who took everything they could get, but often didn't value the amount of work I'd done, and frequently didn't pay on time. Often, clients had gone for the cheapest option not just to get a bargain but because they wanted to pay as little as possible - and these types of clients ended up making me wait and wait...and wait to get paid. Some of them tried not to pay me at all. While I sympathised with excuse after excuse, my sympathy could only go so far before it started to look like I wouldn't be able to continue to be in business... something had to change. That something wasn't just how I chased my overdue accounts (though that definitely needed work) - it was how I priced myself, how I positioned myself and how I presented myself in the market. Now I work with people who are incredibly serious about what they're doing, and they're willing not only to invest the money in quality service but sometimes wait up to six months to work with me. Nowadays, just about every single one pays the day I send out my invoice, even though it's significantly higher than in the old days... and business is booming.

In summary, getting the potential client to say yes because you're cheap isn't necessarily a good thing - they could be the wrong kind of client. Putting the work in to present yourself well so that the right client says yes is worth the effort!

Reply
Louise Harnby
3/1/2018 03:50:58 pm

Well said, Sara. If one's going to enter at the bargain end of the market, one needs a whole different set of tools to manage those potential problems you mentioned such as payment terms and expectations!

Reply
Wendy Monaghan link
4/1/2018 04:15:55 am

I agree 100%, Louise. Like Jake, I think this is key: 'we need to present them with . . . a story that persuades them we’re worth waiting for and worth paying for'. Determining how much we charge for our services is not about what others are charging; it's about knowing our own worth and convincing potential clients that we ARE worth it.

Reply
Louise Harnby
4/1/2018 11:06:52 am

Hi, Wendy! Thanks for dropping by. Nicely said - and it's such a convincing message to send to the right-fit client!

Reply



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